In these chapters Hogarth illustrates the effects of these different kinds of light on a variety of subjects - faces, figures, landscapes, still lifes – and examines both natural and artificial light sources. He then shows how the silhouette is transformed into three dimensions with the addition of minimal light – the highlight.įollowing these introductory chapters, the author devotes a separate chapter to each of the five basic categories of light and shade: single–source light double-source light flat, diffused light moonlight and sculptural light. Hogarth begins with the simplest kind of light and shade, showing how a dark silhouette on white paper can communicate form and space. Here is the first book on this essential subject, the product of years of study by one of the world's great teachers of drawing and an artist of international renown, Burne Hogarth, author of four other art instruction classics on drawing. “Mastery of light and shade – rendered with accuracy and expressive power – is the key to three-dimensional form in drawing and painting.
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